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Get a fresh start. Nigel Andrews. Women are front and centre in every other film this week, though some have a strong, exploring spotlight without a strong, exploring script. A London-based film-maker Emma Friedman-Cohen and a coquettishly reluctant reality star Aneta Piotrowska intertwine, over hours and days, in a portentously art-movie-ish black and white. Themes of identity and femininity, of work, sex and love β sometimes in combo for a subtext about exploitation β are worked in, but never worked out.
Metafiction gets lost in its own melange of cloudy purposes. Cookies on FT Sites We use cookies for a number of reasons, such as keeping FT Sites reliable and secure, personalising content and ads, providing social media features and to analyse how our Sites are used. Manage cookies. Choose your FT trial. Nigel Andrews July 17, Reuse this content opens in new window.
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