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Get a fresh start. Nigel Andrews. Women are front and centre in every other film this week, though some have a strong, exploring spotlight without a strong, exploring script. A London-based film-maker Emma Friedman-Cohen and a coquettishly reluctant reality star Aneta Piotrowska intertwine, over hours and days, in a portentously art-movie-ish black and white. Themes of identity and femininity, of work, sex and love — sometimes in combo for a subtext about exploitation — are worked in, but never worked out.
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